schumann symphony 4



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(-) - V/73/V - 288×⇩ - M.kowalski49, Bassoon 2 (EU) 4 (-) - V/V/V - 1269×⇩ - Carolus, Flute 1 In his final revision of this dramatic work, which is so strikingly the other side of the emotional coin of  its near-twin, the “Spring” Symphony, Schumann changed the orchestration in many places (i.e., made it heavier through doublings) and, importantly, put into effect his original intention of linking the traditional four movements, thus achieving a stronger unity than was present in the original.

The marriage year became the year of song – some 120 beauties for voice and piano came from his pen. 4

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0.0/10 (Poor Robert, his hope for becoming a great keyboard artist was ignominiously self-aborted: in an effort to strengthen his fourth fingers through the use of a mechanical contraption of his own design, he damaged his hands irreparably.) 4 in D minor, Op. (-) - V/73/V - 273×⇩ - M.kowalski49, Oboe 1 (EU) Perlnerd666 (2009/9/11), ⇒ 12 more: Oboe 1, 2 • Clarinet 1, 2 (B♭) • Bassoon 1, 2 • Horn 1, 2 (F), 3, 4 (in D, plus F transposed) • Trumpet 1, 2 (F, plus B♭ transposed) • Trombone 1, 2, 3 • Timpani • Violins I • Violins II • Violas • Cellos • Basses, Oboe 1, 2

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Classical Notes - Classical Classics - Schumann's Symphony # 4 in d minor, by Peter Gutmann. 10 (-) - !N/!N/!N - 752×⇩ - MP3 - QuinnMasonCompo... MP3 file (audio)

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*#337671 - 1.00MB, 13 pp. -  0.0/10 2 8 2 8 8 We find them at the beginning of the Scherzo, where they are combined with a vital main theme, and at the opening of the rousing finale, to which the first movement’s main theme is added as a figure in the bass. 6 6

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Classical record reviews and commentary by a passionate fan. *#337658 - 0.48MB, 7 pp. 6

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4 in D minor, Op.

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The transformation process begins early in Schumann’s D-minor Symphony, as the first five notes of the seri- ously stern introduction are utilized in the main theme of the movement proper, a theme whose restless energy is so typical of the composer’s brand of Romanticism, and then used throughout the symphony in various rhythmic and melodic guises.

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*#33395 - 2.66MB, 42 pp. *#272802 - 2.47MB, 28 pp. Clearly, Florestan prevails in a movement that develops, again like Beethoven’s Fifth (but without that model’s monumental scope), into a major-key affirmation that joyously rejects the Symphony’s D-minor urgencies.

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This item is from the Collezione "Daini Bixio".

"[citation needed], The scherzo borrows a theme from Symphony No. -  (-) - V/V/V - 1635×⇩ - Schissel, Timpani 8 8 (-) - V/V/V - 434×⇩ - Mattheson78, PDF scanned by US-R

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10 120 demands particular attention by illuminating critical debate over the composer's alleged shortcoming as an orchestrator.

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0.0/10 6 The depression into which he fell as the result of what he considered a devastating blow to his career was prolonged and painful.

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0.0/10 10 [1], The 1851 (published) version of the work is in four movements which follow each other without pause:[1], The 1841 version, however, used Italian rather than German tempo indications, with the four movements as follows:[2], Schumann's biographer Peter Ostwald comments that this earlier version is "lighter and more transparent in texture" than the revision, but that Clara "always insisted that the later, heavier, and more stately version [of 1851] was the better one. 4 6 *#266705 - 3.54MB, 4 pp.

-  M.kowalski49 (2014/8/4), ⇒ 22 more: Flute 2 • Oboe 1 • Oboe 2 • Clarinet 1 • Clarinet 2 • Bassoon 1 • Bassoon 2 • Horn 1 • Horn 2 • Horn 3 • Horn 4 • Trumpet 1 • Trumpet 2 • Trombone 1 • Trombone 2 • Trombone 3 • Timpani • Violins I • Violins II • Violas • Cellos • Basses, Flute 2 (EU)

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(-) - V/V/V - 1251×⇩ - Schissel, Bassoon 1 ), Average duration: since the revised version has two large repeats (outer movements) the first version does not, the average duration is going to go up some in any recording that takes them... and so it proves, in slow and fast recordings of the former and latter, it seems.- Schissel, Like Mendelssohn's 3rd Symphony, this work (as outlined by Schumann himself) was intended to be played with all movements without pause.-BachFan, Content is available under the Creative Commons Attribution-ShareAlike 4.0 License *#337666 - 0.26MB, 4 pp.

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4 The work is scored for two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, timpani and the usual strings. (-) - V/V/V - 134×⇩ - Music Addict, PDF scanned by US-R

(-) - V/V/V - 348×⇩ - Lancec, Trombone 1, 2, 3 (with bar numbers) Langsam - Lebhaft, Complete Score 6 0.0/10 Ralph Theo Misch (2011/8/24), 4th movement (with original Title Page)

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0.0/10 Because of Schumann’s procrastination in reworking the composition, however, the Second Symphony had to wait until much later – ten years later, in fact – to reach completion, and by then it came to be numbered four.

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4 0.0/10 8 Title Original Version: Clara Symphonie Name Translations Symphonie nº 4 de Schumann; 4-a simfonio; Symphony No. 4 in D minor, Op. 8 4



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The compositional arc in Robert Schumann’s life was clearly defined and well-ordered. (-) - V/V/V - 3580×⇩ - Perlnerd666, Cellos 8 8 2 8 0.0/10 6 4

3 in E-flat major, Opus 97, Rhenish Symphony No. 0.0/10 10 4

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-  -  Sinfonie; 交響曲第4番; Sinfonía n.º 4; Sinfonia n. 4; Симфония № 4; سمفونی شماره ۴; Simfonia a IV-a: Authorities

8 Piupianissimo (2013/8/24), ⇒ 6 more: Complete Score • Complete Score (with bar numbers) • I. Ziemlich langsam - Lebhaft • II. 2 8 *#272799 - 8.32MB, 12 pp.

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*#272803 - 2.61MB, 9 pp. -  (-) - V/V/V - 13263×⇩ - Caprotti, PDF scanned by D-Mbs -  *#337667 - 0.22MB, 3 pp. The Symphony No. Posted in Program notes Tagged composers, nineteenth century, orchestral music, program notes, Schumann (Robert) permalink. - 

4 2 (-) - V/73/V - 345×⇩ - M.kowalski49, Oboe 2 (EU) As an aspiring pianist his first works were understandably pieces – wonderfully imaginative, romantic pieces – for the piano. 10 (-) - V/V/V - 58×⇩ - Schissel, Flute 1, 2

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6 (In fairness to him, Herr Wieck, trying to protect his Clara, was well aware of Robert’s bouts of drunkenness and of his temperamental instability.) (-) - V/V/V - 1744×⇩ - Schissel, Violins I 2 6 8 4

*#513717 - 22.50MB, 87 pp. This site uses cookies to offer you the best possible experience. 10 4 (-) - V/V/V - 2786×⇩ - Schissel, Horn 2 2 8 Holograph manuscript, 1851.

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6 However, this was untrue, and Johannes Brahms, who greatly preferred the earlier version of the symphony, published that version in 1891 despite Clara's strenuous objections.

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4; Симфонія № 4; Sinfonia nro 4; 4. 2 2

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