Though action and excitement are clearly Sono’s primary concerns, viewers searching for deeper meaning to all this mayhem will certainly find plenty to think about along the way. Remembering what Sur said about tricking fate, she commits suicide, to the shock of the old man. Each of the scenarios is a different world, and to reach the final one, Aki tells her that Mitsuko must brutally kill her. Tag, known in Japan as Real Onigokko (Japanese: リアル鬼ごっこ, Hepburn: Riaru Onigokko), is a 2015 Japanese action horror film directed by Sion Sono and inspired by the title of the novel Riaru Onigokko by Yusuke Yamada. But we were wrong. After encountering a group of revenant girls who try to kill her after stating that so long as she lives, they will continue to die, she is once again rescued by Aki, who reveals that all the girls are in a fictional world being observed by "someone" and that they will continue to hunt Mitsuko down and kill everyone else unless Mitsuko, as the "main character", does something to change it. by The remaining girls are then sliced apart by the wind. The woman in question is Mitsuko (Reina Triendl), a poetry-writing schoolgirl who’s en route to summer camp. Even for those who have seen Sono's previous notorious gore-fests like Strange Circus or the Kill Bill-aping Why Don't You Play in Hell?, the film's first part will still come as a visceral shock, as a mysterious wind arrives out of nowhere to abruptly (and literally) strike two coach loads of schoolgirls down on a country road. Malayalam A quiet high school girl named Mitsuko survives a gust of wind that slices through her school bus, bisecting everyone else on board. Though nothing that follows can match the wow factor of this opening setpiece, Sono hardly rests on his laurels, keeping the gore score high and impressive throughout. Adaptations have already appeared in droves during the past decade — including a whopping five-film franchise entitled The Chasing World — but Tag offers a major departure by relocating most of the story to a world solely populated by women. It’s not long before Mitsuko is again caught in a bloodbath. Even by Sono’s standards — 25 features and TV projects in the past 10 years — he’s been especially prolific in 2015. A younger version of the old man appears and strips, beckoning her to come to bed with him. Equal parts flash-trash exploitation gorefest and punchy pro-feminist action-fantasy, “Tag” is another feather in the highly idiosyncratic cap of Japanese helmer Sion Sono. The violent interventions break up long scenes of solidarity in a world without men, the sense of optimism and freedom vividly captured by drone filming and cinematic post-rock numbers from the Japanese band Mono. Finding herself once again in the beginning of each scenario, she simultaneously commits suicide on the bus, at the wedding chapel, and during the marathon before any of the violent scenarios can begin. Fresh from the misguided gangsta gung-ho of Tokyo Tribe or Shinjuku Swan, Tag offers hope that Sono remains the mad, bad boy he started out as, offering that curious mix of rage and romance that shaped the delicate psychological dramas of Suicide Club, Noriko's Dinner Table or Himizu. Mitsuko and the remaining girls flee as they are gunned down. Going in, we thought live-action horror movie Tag (Riaru Onigokku in Japanese) was going to be one of these movies. The definitive site for Reviews, Trailers, Showtimes, and Tickets This premise is based on Yusuke Yamada's 2001 novel in which people sharing a similar surname are hunted down (or "tagged" as in the children's game) and killed. Far too extreme for mainstream acceptance, the pic failed to make much of an impression on its July 11 local release, but the outlook is brighter elsewhere. © 2020 The Hollywood Reporter A girl's life cascades into chaos as everyone around her suffers a gruesome fate while she becomes less certain of who she is and her once-once normal. Sitemap | She rips one of the pillows, showering the room with feathers. The basic story is about a shy girl named Mitsuko who ends up travelling to different realities, but everywhere she goes, those around her are brutally killed. She suggests that fate can be tricked by simply doing something one would never normally do, thus changing the outcome. Tag is certainly not matinee fare for the faint-hearted. Sono has taken only the very basic premise of Yamada’s story, which concerned people with the same surname being targeted for death by malevolent forces. Tomonobu Kikuchi’s peppy score and a selection of crunching guitar-rock numbers by Japanese band Mono are nicely in tune with the frequently hallucinatory tale. Mischievously, Sono has produced a satire aimed squarely at both fanboys and filmmakers of exploitative cinema, himself included. Sur and Taeko grab Mitsuko and hide. " Both critics noted the film's feminist undertones. On the surface, Tag, directed by Shion Sono is a splatter, gore film. The one element underlining all three characters' existence is the unending need to run for survival. While the other films tend toward conventional political allegories similar to The Purge, Tag's narrative could be interpreted as a story of gender-based social oppression as seen by a woman undergoing rituals of adolescence and adulthood. Another homeroom teacher kills Taeko and Sur. In constant danger here is a sole female whose name and physical appearance change twice in the course of very strange events.  It was released in Japan on July 11, 2015. Japanese guy: In my opinion, the devil has taken over most of the body but I believe the original owner of the body may still be there fighting. Performances are uniformly energetic and effective from a vibrant cast. They muse about whether there are multiple realities with multiple versions of themselves. Mitsuko is horrified to see full-size models of herself, Keiko, Izumi, Aki, and the other girls. Privacy | The perpetrators this time are a couple of teachers who suddenly assault the student body with cartoonishly oversized machine guns. All other technical contributions are on the money. The film's theme song, "Real Onigokko", was written and performed for the movie by the rock band Glim Spanky. Several bouts of bloodshed later, Keiko then morphs into Izumi (Erina Mano), a long-distance runner who encounters characters both friendly and menacing from prior events.
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